Thursday, March 15, 2007



San Salvador, El Salvador

We were walking down an empty street when I noticed the policeman. He stood, high above us on the edge of a small park, a mountain bike resting against one blue-trousered leg. He wore a cap and carried a truncheon, his face indistinct in the near dark of the El Salvadorian night. We’d seen him earlier when we’d wondered down a quiet avenue and spotted the police station, two officers sitting listlessly by the forever open door. Both Roy and I had been drinking so, camera at the ready we sauntered up smiling and I introduced us in pigeon Spanish, “Hola, nosotros es Journalistas de una periodico en de Eustados Eunidos, donde es graffiti political por photographia?” This translates vaguely to ‘hello, we’re journalists from a newspaper in the United States, where is the political graffiti we can photograph?’ It was a harmless lie, more likely to get us an interview than admitting we were two college students on spring break.

Perhaps it was my Spanish, maybe they didn’t believe the story, it could have even been that the policemen were taken aback by two hairy gringos with a paparazzi style camera and the stink of tequila on their breath suddenly appearing from the night and demanding directions. Whatever, they gave us bull-shit instructions and waved vaguely towards the entire village before returning to the more serious business of putting their feet up on desks and looking bored. Disheartened by this sudden failure we slouched off up the hill towards our guesthouse, buildings pitted with bullet holes all around us, mangy dogs slinking from shadow to shadow. It’s an odd feeling to walk through a sleeping town and know that ten years before the entire place was filled with flying bullets and explosions, I can never put the past together with the future in places like that.

As we crossed the park, almost home now, the policeman appeared on his bike. He sat looking at us for a few seconds before signaling that we should follow him through the strands of palm trees towards a grubby red pavilion, it’s paint chipped and tile floor dirty. Just by its entrance he stopped and put the bike down, pointing above our heads at something. Looking up I could see what appeared to be the tail of an aircraft, olive green, stuck to a pole in the middle of the park. “American” the man said in Spanish, “from the war.”

For the next half an hour we talked to the policeman, who was soon joined by another. Roy set up the tripod and camera, snapping pictures and searing the darkness with his high-powered flash. Every so often he’d glance up from the viewfinder and ask me to translate for him, then something would catch his eye and he’d return to the camera, trying to photograph the plane. The tail section was definitely that of a military aircraft or helicopter we decided and the writing in English stenciled all over it seemed to confirm what the man had said. The conversation between our new friends and us went something like this, all be it with many mistakes and awkward pauses due to the language barrier:
Me: American, you’re sure?
Policeman: Si, a warplane. The Americans fought in the war.
Roy (to me): The Americans were actually fighting here? They must just mean the plane is American.
Me: (to the policeman) Only American planes or also American pilots?
Policeman: Si, pilots too
Me: You’re sure the Americans we’re here?
Policeman: Yes, and the Israeli’s.
Me (Half miming): The Americans were on the ground and in the air?
Policeman: Yes, the Israeli’s trained the troops and the Americans also fought.
Me: And the American’s dropped bombs (miming an explosion) here?
Policeman: Many bombs, in the hills there is a village the Americans destroyed. There are unexploded American bombs there. (He writes the name down)
Me (to Roy): I might be getting the translation slightly wrong but he seems sure that American pilots and troops we’re actually fighting here during the war. Did anyone ever mention that before?
Roy: S***. He seems sure?
Me: Yes. He also says they destroyed a village.

Afterwards, lying half asleep in my hammock I thought about what the man had said. My own countrymen dropping bombs on innocent people for the greater good, it reminded me horribly of Cambodia and the two 50 ton bombs turned into the pillars of a gate, marking the entrance to Aki Ra’s landmine museum at Siem Reap. It seems tragic that in the countries I love the most the people who are so amazingly kind to me have the least reason to be so. I should feel ashamed when they welcome me into their house and give me their food, after the damage the western world has done they should with every right lock their door and turn me away.


Unexploded Bomb in Northern El Salvador

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